Monton De Escombros
De verdad, puedo ser alegre. Amable, agradable, afable…
Y eso sólo son las palabras que empiezan por «a». Pero no me
pidas que sea simpática, la simpatía no va conmigo
Monton De Escombros
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"Estoy solo. Y me pregunto: ¿Existe una mitad de mí que me espera todavía? ¿Dónde está? ¿Qué hace mientras tanto?"
"Días y noches de amor y de guerra" - Eduardo Galeano. (via viejaculturafrita)
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denisesoyletras:

Rincón de haikus, Mario Benedetti
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pardon-me-im-not-in-love:

Mulan XD
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"Tengo que aceptar que no tengo acceso a una realidad independiente para validar mi explicar; tengo que aceptar que no puedo exigirle al otro que vea lo que yo veo; tengo que aceptar que cuando hay una discrepancia con otro, el otro se encuentra moviéndose en un espacio de coherencia experiencial tan válido como el mío, aunque sea diferente. Tengo que aceptar que un error es una afirmación hecha en un dominio y escuchada desde otro. Lo mismo es el caso de la ilusión: una ilusión es una experiencia vivida en un dominio que es considerada desde otro."
Humberto Maturana (via monodetrescabezas)
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asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
asylum-art:

Erik Söderberg “Fractal Experience”
In early 2011 I was exploring the relations of geometry, nature and the human being in a series of 25 pictures that I called ”Fractal Experience”. This is part two - continuing the exploration of geometric shapes, patterns, and fractals with an added element: space-time. This time I’ve worked in 3D and produced a set of animated looping gif’s.  I’ve limited each animation to at most 48 frames, most are around 10-15 frames - to keep the file size small and to maximize the creativity with in these frames.
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"Y al contrario y viceversa.
Y en la buena y en la adversa.
Del derecho y del revés,
tú primero, el mundo después."
Joaquín Sabina. (via vueltaygiro)
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Cabello
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"Yo no soy como otras personas.
Me estoy quemando en el infierno.
El infierno de mi mismo
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Charles Bukowski.  (via hachedesilencio)
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lavin-compae:

Erección fotográfica.
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